By Lauren Meaney
Photo Credit: Neil Krug
Joe Keery, Stranger Things actor–and musician, better known under his stage name Djo–has been steadily carving out a space for himself in the world of alternative, indie music. Following viral success in 2024 with his song, End of Beginning, Djo is set to have an even bigger 2025.
In his new studio album, The Crux, he explores synth-driven soundscapes, reflective lyricism, and impressive production. Released as singles prior to the full album, Delete Ya, and Basic Being Basic, have been incredibly well-received, and have shown fans what to expect from Djo’s developing sound; blending funk, rock, and electronic elements, into something uniquely his.
Opening the album with a gentle, melancholic touch, Lonesome Is a State of Mind is a slow build. The focus is on Keery’s vocals, and a simple guitar arrangement. As the song progresses, more instruments are introduced, bringing a hopeful and uplifting resolution.
A standout for its catchy vocal riffs and bassline, Basic Being Basic, takes an ironic look at internet culture and society’s obsession with trends. Keery’s witty lyricism shines through, particularly in lines like ‘You said he looked just like a girl, So you like girls‘ and ‘It’s not funny, it’s so funny.’ Across the track, he highlights the absurdity of performative self-expression and the need to be constantly curated.
Link is a rock-infused track, with lyrics that encourage ‘breaking outta the chain,‘ likely drawing on the message of Basic Being Basic. The upbeat instrumental drive and uplifting message make it an instant anthem. The song’s guitar-driven outro begs for a live performance and left me wishing the track was longer!
Brimming with 70s nostalgia, Potion carries an ethereal, almost angelic quality. The lush production calls to mind artists like the Bee Gees, and it’s easy to imagine this song creating a transcendent atmosphere in a live setting.
As one of the album’s pre-released singles, Delete Ya explores the struggle of letting go, touching on the comfort found in reliving painful memories. While speculation surrounds its personal inspiration, the song’s themes are universally resonant. Djo balances personal reflection with relatability, making the track a stand-out moment on the album.
A lyrically striking track which builds to an intense climax, is Egg, which closes the first half of the album with thought-provoking lines like, ‘So what will you choose? Your heart or your pride?’ The track is perfectly positioned amongst others on the album, allowing for an emotional release without leaving us depleted.
Slowing the pace, Fly allows for a moment of introspection in the centre of the album. With fewer lyrics than other tracks, Djo allows us to digest each word, alongside the dreamy atmosphere and instrumental sections. Exploring acceptance and moving forward, the song serves as a turning point in the album’s emotional arc.
With a punchy piano intro and a steady, rhythmic groove, Charlie’s Garden nods to the influence of classic artists like Todd Rundgren, ELO and Supertramp. In 2024, Keery curated a Spotify playlist for Wonderland Magazine, featuring these artists and more, titled ‘Joe Keery: Charlie’s Garden‘, available here:
The inclusion of a spoken sample adds an unexpected, personal and playful touch. Online, fans have shared their excitement for this track, which I expect to be one of the standout fan favourites.
Continuing in the vein of 60s and 70s pop inspirations, Gap Tooth Smile delivers an infectious energy with sharp, declarative lyrics. Lines such as ‘Anything’s cool if it’s done with heart’ capture the album’s overarching theme of authenticity and self-expression. The song also plays with repetition, as Keery counts ‘How many times? How many times? 1, 2, 3… 28, 29, 29, 29’, adding an almost manic urgency to the track.
A love ballad of sorts, Golden Line brings the energy back down, offering a reflective and tender moment amidst the more upbeat tracks.
Opening with a choir, arranged by Adam Thein, and Joe Keery, Back On You carries a heartfelt dedication to Keery’s sisters, who also contribute to vocals across the album. The song’s deeply personal lyrics and rich guitar solo create one of the most memorable moments on the record, reminding listeners of the significance of community.
And finally, the album’s title track, Crux, serves as the final statement. ‘Get back to your heart‘ is repeated throughout the song, encouraging a return to authenticity and self-acceptance, bringing the album full circle.
Across The Crux, Djo continues to evolve as both a musician and storyteller. The album balances humour with reflection, and blends retro influences with contemporary themes. Fans can expect to hear tracks from The Crux on the ‘Djo – Back On You’ tour, commencing on the 4th of April, and running until the end of June. Selling out a three-day residency at London’s O2 Forum Kentish Town is no small feat, cementing Djo’s status as a rising force in the alternative music scene.
Unless otherwise stated, Photography & Text Copyright 2025 © Lauren Meaney/ADRENALINE Magazine.
Casey Brockbank 
Esme Campbell